Tut is a 52-year-old fisherman living in Kampot. In spite of the language barrier, he recounts for the first time and without any words his past during the Khmer Rouge regime, demonstrating the torture he experienced in prison the year he turned fifteen. Alexandre Liebert’s SCARS OF CAMBODIA (2014, 30 min) features a key device, or rather lack of one: There is no speech. Guided only by a poignantly sparse score and natural sounds, the audience experiences Tut’s tale through his body, as he did.